It’s, ‘If I can stand next to this, I’ll be protected. We love to know that if we keeled over in our tithe cottage, the squire might come down and give us a farthing. “I find it really uncomfortable, the level of subservience we have in this country,” Phelps says about Britain. That’s exactly what distinguishes the drama from everything you could name with a similar focus on the British aristocracy: not that it’s raunchier or more adult in attitude and storytelling than, say, Downton Abbey or The Crown, but that it doesn’t have that fawning love of poshness that can be off-putting. I think Sarah Phelps has a similar anger, rebel thing to me.” To me, this show doesn’t feel like the Establishment. “But when I read it, it didn’t feel like some cosy, British period piece. “It’s rare for me to like something like that,” she explains. She was also surprised to be so interested in the story. And after that, she had miscarriage after miscarriage On its own, that is absolutely heartbreaking. In her first marriage Margaret had to give birth to a stillborn child. And I would keep standing anywhere but that mark.” I didn’t know really basic things, like when they say, ‘Can you stand on your mark?’ I didn’t know what that meant. I was getting all this work suddenly, and I hadn’t been to drama school. “I felt like I did when I first started out. “If I was being really honest, part of me thinks, ‘Maybe I’ll be offered some other good work from this.’” Davis recalls regarding the leads as in a different league. Photograph: Alan Peeblesĭavis, speaking by phone, seems surprised to have made the leap from comedy to drama. I do like it, and I am extremely good at it."Ī Very British Scandal: Ian Campbell (Paul Bettany) and Margaret (Claire Foy). Famously, these likeable primates are at it all day long, and Davis's lip curls in exhilarated disgust as she describes their constant play and foreplay, before she concludes: "And I thought, 'That's just like Margaret.'" The duchess replies: "It's not my fault if you don't like it and aren't any good at it. There's a wonderful scene in which Julia Davis, playing a savagely caustic woman with a collection of hopping golden phalluses and the unwieldy title of Maureen, marchioness of Dufferin and Ava, has just seen some bonobos in the zoo. I did not want it be that sort of awful climactic sexual experience you often see on the cinema screen.” “But my thing was that I felt very strongly that it had to be in it, but I wanted it to be female. Everyone can make you try to not feel that way, but it’s unfortunately the reality.”
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The drama is “about as explicit as the BBC can be”, Phelps says.įoy, who plays the duchess, says she felt exposed and exploited as she struggled with filming the sex scenes. “It’s grim – it’s the grimmest thing you can do,” she told BBC Radio 4. The key evidence at the trial, however, was not the list but the so-called headless gentleman in a set of photographs, showing the duchess fellating someone unidentifiable. The presiding judge concluded that she was a “completely promiscuous woman … Her attitude to the sanctity of marriage was what moderns would call ‘enlightened’ but which in plain language was wholly immoral.” Some were gay and had never been involved with Margaret, but she chose not to challenge the account, as homosexuality was still a crime and it would have implicated her friends. To unpack this all a bit: Ian Douglas Campbell, the 11th duke of Argyll, accused his wife of infidelity and produced a list of 88 men. The duchess of Argyll's attitude to the sanctity of marriage was what moderns would call 'enlightened' but which in plain language was wholly immoral But it matters less in the prurient sense of needing to know who was on the other end of that erection.” I want to know who she was.’ So the blowjob matters to me in one way. “It was,” says Phelps, “all about, ‘Who’s the man?’, ‘Who’s the headless man in the photos?’, ‘How many men did she f**k?’, ‘Who was she blowing?’ And I almost thought, ‘I actually don’t give a shit.